Joanna Lamb

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Pool [4] 2021
350 x 500 cm
State Art Collection, Art Gallery of Western Australia
Purchased through the Art Gallery of Western Australia
Foundation: Tomorrow Fund, 2021
Photo: Bo Wong

looked over, overlooked 2025
Sullivan+Strumpf, Melbourne
Photo: Phillip Huynh

One Day Like This 2023
Sullivan+Strumpf, Sydney

Pool [5] 2021
350 x 500 cm
State Art Collection, Art Gallery of Western Australia
Purchased through the Art Gallery of Western Australia Foundation: TomorrowFund, 2021
Photo: Bo Wong

The Pool Series 2013–Ongoing, Multiple Venues

01 Swimming Pool With Reflection

Pool 1
Exhibited:
2013 Sullivan+Strumpf, Sydney
2013 Penrith Regional Gallery and Lewers Bequest

02 Joanna Lamb Swimming Pool With Reflection 02 2014 Wall Painting

Pool 2
Exhibited:
2014 Art Collective WA, Perth

03 Joanna Lamb Pool 3 Acrylic On Wall

Pool 3
Exhibited:
2016 Vasse Felix, Cowaramup, WA
2022 Canberra Art Biennial, Contour 556, Canberra

03bjlamb Pool 3 Vasse Felix 2016

Installation of Pool 3 at Vasse Felix

Jlamb Pool 04 A

Pool 4
Exhibited:
2021 Art Gallery of Western Australia
State Art Collection, Art Gallery of Western Australia. Purchased through the
Art Gallery of Western Australia Foundation: Tomorrow Fund, 2021
Photo: Bo Wong

Jlamb Pool 05 A

Pool 5
Exhibited:
2021 Art Gallery of Western Australia
State Art Collection, Art Gallery of Western Australia. Purchased through the
Art Gallery of Western Australia Foundation: Tomorrow Fund, 2021
Photo: Bo Wong

06bflack Ace 183512 Copy

Pool 6
Exhibited:
2023 Permanently installed at ACE Hotel, Sydney
Photo: Anson Smart

Pool 07 Install Sh Ervin 2025

Pool 7
Exhibited:
2025 S.H.Ervin Gallery, Sydney

The Pool works are an ongoing series of large-scale, ephemeral wall paintings begun in 2013. These pieces are an exploration of reduction and abstraction, where the outline of a backyard pool frames an abstracted representation of the surrounding house and garden.

In this series, the pool functions as an idyllic yet fleeting vision of suburban life. It evokes the carefree moments of suburban summers, and the aspirational status associated with home ownership in suburbia. The water’s surface mirrors the world above but the nature of reflection resists permanence and is easily disrupted.

Removed from their original context, the images take on the appearance of oversized logos, serving as bold, graphic emblems of the suburban dream. The impermanence of these works reinforces their transient nature; each painting is designed to be temporary, painted over and recreated elsewhere.

The works continue a dialogue with the pool paintings of David Hockney and Ed Ruscha’s own series Nine Swimming Pools.